Imagine your favorite journalists trading in their notepads for microphones and bylines for basslines! That’s exactly what a group of Chicago reporters has done, releasing a Christmas album that’s equal parts heartwarming and unexpected. But here’s where it gets even more intriguing: all proceeds go to charity, turning this musical endeavor into a powerful act of giving back. And this is the part most people miss: behind the festive tunes lies a deeper story of creativity, collaboration, and community—a reminder that even in the toughest of years, there’s always room for joy and generosity.
In a move that blends journalism with jingle bells, the newly formed Chicago Media Chorus dropped their debut album, Christmas Carols for 2025, last week. This isn’t your typical holiday playlist—it’s a seven-track collection featuring Chicago media personalities showcasing their hidden musical talents. Among the contributors are Borderless Magazine’s Mauricio Peña, real estate reporter AJ LaTrace (a founding member of the emo band The Academy Is …), investigative reporter Casey Toner, radio producer Chris Bentley and his wife, Laura, columnist Ismael Pérez, and Block Club reporter Mack Liederman alongside his girlfriend, Jess Chaidez. The album closes with a poignant original poem by former Chicago Tribune columnist Mary Schmich, titled A Toast to Those Who Can’t Be With Us.
Available for streaming and purchase at $7 on Bandcamp, the album supports StreetWise, a Chicago nonprofit empowering homeless and low-income individuals through job training, resource access, and the sale of StreetWise Magazine. The chorus has already raised nearly $450 of their $500 goal since the album’s release, according to LaTrace.
But here’s the controversial twist: Can journalists truly step out of their professional roles without blurring ethical lines? While some might argue this project could compromise objectivity, others see it as a refreshing way to humanize reporters and strengthen community ties. What do you think? Does this creative outlet enhance or distract from their journalistic mission? Let’s debate in the comments!
The project was spearheaded by AJ LaTrace and Casey Toner, who’s been releasing his own Christmas albums since 2020. LaTrace describes Toner as a “serious investigative reporter” with a surprising creative side. “He reached out to me last year to join his album, and I thought, ‘Why not expand this into something bigger?’” LaTrace explained. Inspired by Chicago reporters’ existing bowling and softball leagues, he saw the album as a unique way to foster camaraderie and artistic expression.
The contributors’ musical backgrounds are as diverse as their journalistic expertise, ranging from classical training to Chicago’s emo scene. For LaTrace, a former lead guitarist for The Academy Is …, the project was a chance to reconnect with music after years in journalism. “It was just about having fun and being creative again,” he said.
The album’s creation was a whirlwind. After brainstorming in October, LaTrace and Toner recruited participants and set tight deadlines—a familiar practice for journalists. “We made it over the finish line,” LaTrace said with a laugh. The guidelines were simple: record a Christmas song. The result? A mix of polished vocals, emo vibes, and heartfelt performances that somehow blend seamlessly into a cohesive holiday album.
As winter sets in, the chorus hopes their music brings warmth to listeners while supporting those in need. Schmich’s poem, with its themes of reconciliation and remembrance, adds a touching layer to the album’s mission. “We just want to spread holiday cheer, especially after such a tough year,” LaTrace said. “And who knows? Maybe this becomes an annual tradition.”
For those interested in joining or supporting the Chicago Media Chorus, reach out at ChicagoMediaChorus@gmail.com. Whether you’re a journalist, musician, or simply a fan of festive tunes, this project proves that creativity and compassion can go hand in hand. But here’s the final question: In a world where journalists are often criticized for being too distant, is this kind of community engagement a step in the right direction—or a risky departure from their core role? Share your thoughts below!
